British Fashion Designer Dairies on ''Sustainable Fashion''
Samata |
Recent studies indicates that by 2050 there could be more plastic in the oceans than fish, as landfill sites expand on one side, plastics clog the ocean on the other, so yes plastic waste remains the elephant in the room.
During London Fashion Week, Vivienne Westwood joined Suzy Amis Cameron at St Martins Lane Hotel; earlier in the year, the pair collaborated on Amis Cameron’s Red Carpet Green Dress project, which placed actor, model and eco activist Lily Cole on the red carpet at the Oscars in a dress made from recycled plastic
Samata is a British author, journalist,
presenter and fashion designer currently based in London, England. Samata book
deal with Bloomsbury, titled The Fashion Designer's Resource Book was released in
July 2013. Samata was announced as the winner of
Suzy Amis Cameron's Red Carpet Green Dress contest; she is now the Campaign Director
for design initiative Red Carpet Green Dress.
Samata and Sophie Tuner |
Samata sustainable diary is something
I recommend emerging designers and fashion industry players to take a keen interesting
in. Samata has not only hatched the idea but she is nursing the dream and interested
designers and industry players can join this campaign. All one needs is to read
the dairy on Huffington Post and schedule a meeting with her.
'' I am planning to look for
sustainability in every corner and during each encounter I have during London
Fashion Week - my green lens is officially on.
I’ll be looking at the fashion,
the designers, the organisation of London Fashion Week as a whole, and the
important topic of waste, currently a focus on this site as part of the Reclaim
project. It started for me at check-in; as I write this, I am based in St
Martins Lane Hotel, and whilst the hotel is design-led and clearly comfortable
in the modern luxury stakes, the tipping point for me choosing this as my base
were the hotel’s green credentials.
Samata and Lily Cole |
The Morgans Hotel Group recently coined the
term ‘Glamorously Green’ with its daring and innovative approach to embracing a
greener lifestyle - including its recycling initiatives. From donating unused
soap and toiletries to Clean The World’s soap recycling program to giving
mattresses to charity organizations for both local and overseas needs,
I was
excited to hear how the boutique hotel was working to tackle the issue of waste
and educate guests during their stay.
I have also challenged myself to
dress as sustainably as I can from head to toe for the five days of shows,
including a recycled element where possible in the spirit of the fashion and
waste theme currently live (my contribution to the theme will go live shortly).
I am going to try to be at least ‘80%’ sustainable on each day! Can I make an impact
without an impact?
Today I am excited to wear Tata Naka
- a brand designed by identical twins, Tamara and Natasha Surguladze, born in
Tbilisi, Georgia. I love their designs (as do many influencers on the fashion
scene - the brand has been worn by the likes of Cameron Diaz, Mina Suvari and
Sarah Jessica Parker). You might even recognise some of their pieces from
regular appearances on the legendary series ‘’Sex in the City’’,
and from the
Carrie Bradshaw cover of the official SATC book however not many people know
about the brands zero-waste policy. ‘As a brand we aim to keep waste to a
minimum, thus reusing and recycling leftover fabrics and prints for toiling. We
also recycle old patterns and all sorts of trims, nothing is thrown away!’
Typically, when we talk about waste in the fashion industry, we focus on how
consumers can stop being wasteful - we talk about the 1.2 million tons of
clothing going to landfill in 2005 in the UK alone (DEFRA 2007) and how an
estimated 1 million tonnes of textiles thrown away every year - but just as
pertinent is the conversation around how designers (the makers of this fashion)
tackle efficiency, and this should be part of that wider conversation too. Tata
Naka do this is a stylish, non-braggy way - they are what I like to call ‘Eco
Ghosting‘ - operating sustainably without singing about it from the rooftops.
Today my bag is by a brand named
Okapi - named after the African antelope - Okapi is proud of its South African
roots and by working directly with indigenous farmers and tanneries, and using
locally sourced materials stays 100% traceable and ethical. In addition, Okapi
works closely with the farming communities of the Karoo and sources its leather
as a by-product of existing farming practices. Using by-product instead of new
product for inputs, or simply seeing waste differently is one major way in
which we can address the issue of waste in the fashion industry.
My shoes are by Public Desire (I am
not buying any new leather this year, and hoping to pledge the same next year
too) and my jewels from Atelier Swarvoski’s Core ‘Nile’ Collection. Swarovski
has always championed innovation and hand craftsmanship through The Swarovski
Collective; founded in 1999 by Nadja Swarovski following collaboration with
Alexander McQueen, it is a space for emerging design talent to be supported,
showcasing innovative use of crystal.
Through the collective designers are
encouraged to experiment with different techniques and hand embroidery - slow,
time-consuming, delicate and precise. This is just one of the ways in which the
company encourages a slow fashion approach to design.
Still, sustainability for the brand
goes beyond supporting the use of traditional crafts with a modern, personal
interpretation. With the proliferation of the company’s products throughout the
Collective’s work, Swarovski works to constantly re-evaluate material health -
particularly with substances such as nickel and lead heavily regulated. In 2012
Swarvoski’s patented an ‘Advanced Crystal’ virtually lead-free formula which
became known in the fashion industry as the ‘cleaner, greener stone’.
Whilst showcasing collections from
over 250 designers to a global audience, London Fashion Week is part of the
waste in fashion conversation, whether it would like to be or not. Brewer
Street Car Park - the British Fashion Council’s base for the 5 days in
September, complete with its neighboring locations for shows, exhibitions and
pop ups, caters to over 5,000 visitors including buyers, TV & radio crews,
journalists and photographers.
Ethically sourced food from The Store
Kitchen and a recycling bins aside, not much is visible on the sustainable
event production side, whilst other fashion weeks, namely Portland’s, stay
innovatively ahead of the game. With recycling bases, eco-friendly materials
for the models, a bamboo runway and recycled material used for drapery as
standard, Portland Fashion Week has been spotted at the races, flying a very
green flag, even using its platform to collect used clothing and shoes for
charity. '' - SAMATA
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